It's Lovely Isn't It? 2013 (installation: video, text, bronze, iron, burnt cedar, text, architecture).
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A collaboration with Noga Inbar made for the Royal College of Art final show in 2013. It is an installation comprising of three elements: a wall of masks hanging from hand-cast bronze hooks on a burnt cedar surface; a text piece impaled by an oversized hand-cast iron nail; and a video showing the docu-fictions that unfold when the masks are taken into real places such as the church, the commune and the fish market. The installation is set within a functional domestic space - an outdoor 'yard house' which we designed and built with a tribe of peers as a space to show work, share lunch, host events and spend time together. The masks are tools for filtering out the obscure narratives that permeate real-world tribal contexts. The text takes the concept of togetherness deeper and darker, narrated by a character whose subjectivity is so precarious that its selfhood constantly mutates and muddles with everything/everyone other.
- Scroll down to watch the video -
A collaboration with Noga Inbar made for the Royal College of Art final show in 2013. It is an installation comprising of three elements: a wall of masks hanging from hand-cast bronze hooks on a burnt cedar surface; a text piece impaled by an oversized hand-cast iron nail; and a video showing the docu-fictions that unfold when the masks are taken into real places such as the church, the commune and the fish market. The installation is set within a functional domestic space - an outdoor 'yard house' which we designed and built with a tribe of peers as a space to show work, share lunch, host events and spend time together. The masks are tools for filtering out the obscure narratives that permeate real-world tribal contexts. The text takes the concept of togetherness deeper and darker, narrated by a character whose subjectivity is so precarious that its selfhood constantly mutates and muddles with everything/everyone other.
